BOOKS and catalogues

Rosen, Anabeth, and Ezra Shales, edited by Elizabeth Williams. A Shared Journey: The Barkan Contemporary Ceramic Collection at the RISD Musuem. Providence: RISD Museum, 2025.

de Bos, Cynthia, Nancy Lim, Viola Frey with Charles Fiske, Jenelle Porter, and Jodi Throckmorton, edited by Cynthia de Bos and Jenelle Porter. Viola Frey: Artist’s Mind/Studio/World. Oakland: Artists’ Legacy Foundation and New York: Gregory R. Miller, 2024.

Lee-Koven, Katie, Matthew Limb, and Billy Sessions. Unearthed: The NEHMA Ceramics Collection. Logan, UT: Nora Eccles Harrison Museum of Art, 2024.

Préaud, Tamara, Susan Weber, and Charlotte Vignon. Sèvres Extraordinaire! Sculpture from 1740 until Today. New Haven: Yale University Press, September, 2024.

Poisner, Sarah. Women of Northern California: Making Meaning for Yesterday, Today, and Tomorrow. Davis, CA: John Natsoulas Press, 2023.

Vizcarrondo-Laboy, Angelik and Garth Johnson. Funk You Too! Humor and Irreverence in Ceramic Sculpture. New York: Museum of Arts and Design, 2023.

Nelson, Natalie and Erik Scollon, edited by Nancy Selvin and Nathan Lynch. On the Edge: CCA Clay. Davis, CA: Pence Gallery, 2022.

Lauria, Jo and Rody Lopez, et al. “The Uncommon Denominator: Ceramics in the Kamm Collection.” Living with Clay: California Ceramics Collections. Fullerton: California State University Fullerton, 2020. 

Taylor, Louisa. Ceramics Masterclass: Creative Techniques of 100 Great Artists. London: Thames and Hudson, Ltd., 2020. 

Van Proyen, Mark. Artists’ Legacy Foundation, ed. “Gods & Monsters: The Early Work of Viola Frey.” Gods & Monsters: Artwork by Viola Frey. Washington: American University Museum, 2020.

Adamson, Glenn and Jennifer Jankauskas. About Face: Contemporary Ceramic Sculpture. Montgomery: Montgomery Museum of Fine Arts, 2019.

Ellis, Anita and Nancy Rehkopf. Viola Frey: Her Self. Novato: Marin Museum of Contemporary Art, 2019.

Owen, Amy and Jodi Throckmorton. Viola Frey: Center Stage. Napa, CA: di Rosa Center for Contemporary Art, 2019.

Appel, Kevin and Stephen Barker. First Glimpse: Introducing the Buck Collection at the UCI Institute and Museum for California Art. Irvine: UCI Institute and Museum for California Art, 2018.

Sain, Robert and Amy Owen. Be Not Still: Living in Uncertain Times, Part 1. Napa: di Rosa Center for Contemporary Art, 2018.

Walsh, Lexa. “Assembling the Choreography of Protest.” Be Not Still: Living in Uncertain Times, Part 2. Napa: di Rosa Center for Contemporary Art, 2018.

Griffin, Susan. Viola Frey: Women & Men. Berkeley: Kelly’s Cove Press, 2017.

Personalities in Clay: American Studio Ceramics from the E. John Bullard Collection. New Orleans: New Orleans Museum of Art, 2017.

Reinertson, Lisa. Bay Area Clay: A Legacy of Social Consciousness [Hoffman Gallery, Lewis and Clark College]. Benicia, CA: Lisa Reinertson, 2017.

Story_Telling About Life: Thematic Exhibition in Icheon GICB 2017. Icheon-si: Korea Ceramic Foundation, Republic of Korea, 2017.

Koplos, Janet. Function, Form, and Fantasy: Ceramics from the Dr. Robert and Deanna Harris Burger Collection. Flint, MI: Flint Institute of Arts, 2016.

Lynn, Martha Drexler. American Studio Ceramics – Innovation and Identity, 1940-1979. New Haven: Yale University Press, 2015.

Morineau, Camille and Lucia Pesapane. Ceramix: De Rodin à Schütte. Gent, Belgium: Snoeck Publishers, 2015.

Simon, Joan. Oliver Ranch. New York: Gregory R. Miller & Co., 2015.

Guenther, Bruce. In Passionate Pursuit: The Arlene and Harold Schnitzer Collection and Legacy. Portland: Portland Art Museum, 2014.

Panczenko, Russel, Garth Clark and Christy Wahl. The Human Condition: The Stephen and Pamela Hootkin Collection. Madison: Chazen Museum of Art, University of Wisconsin-Madison, 2014.

Strauss, Cindi, Janet Koplos, and Susie J. Silbert. Beyond Craft: Decorative Arts from the Leatrice S. and Melvin B. Eagle Collection. Houston: Museum of Fine Arts, Houston, 2014.

Held, Peter and Sealy Lineberry, eds. Crafting a Continuum: Rethinking Contemporary Craft. Chapel Hill: University of North Carolina Press, 2013.

Palm Springs Art Museum: 75 Years, 75 Works. Palm Springs: Palm Springs Art Museum, 2013.

Raine, Barry and Seward Johnson, et al. Grounds for Sculpture: A Living Legacy, Intuitive Encounters with Art in Nature. Hamilton, NJ: Sculpture Foundation, Inc.; New York: MTM Publishing, 2013.

Chaffee, Cathleen. Eye on a Century: Modern and Contemporary Art from the Charles B. Benenson Collection at the Yale University Art Gallery. New Haven: Yale University Art Gallery, 2012.

Clark, Garth and Cindi Strauss. Shifting Paradigms in Contemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection. Houston: Museum of Fine Arts, Houston; New Haven: Yale University Press, 2012.

Garcia, Edith. Ceramics and the Human Figure. Westerville, OH: American Ceramic Society, 2012.

Throckmorton, Jodi. “A Different Approach: Joan Brown, Viola Frey, and the Feminist Art Movement.” In The Female Gaze: Women Artists Making Their World, edited by Robert Cozzolino, 220-227 (Philadelphia: Pennsylvania Academy of the Fine Arts, 2012).

Cozzolino, Robert and Sarah McEneaney. Narcissus in the Studio: Artist Portraits and Self-Portraits, edited by Robert Cozzolino. Philadelphia: Pennsylvania Academy of the Fine Arts, 2010.

Koplos, Janet and Bruce Metcalf. Makers: A History of American Studio Craft. Chapel Hill: University of North Carolina Press, 2010.

Held, Peter and Dean Kwang-Wu Kim. Innovation & Change: Ceramics from the Arizona State University Art Museum. Tempe: Arizona State University Art Gallery, 2009. 

Paredes, Liana. Sèvres Then and Now: Tradition and Innovation in Porcelain, 1750-2000. London: D Giles Limited, 2009.

Schaffner, Ingrid, Jenelle Porter, and Glenn Adamson. Dirt on Delight: Impulses That Form Clay )Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2009).

Taragin, Davira, Patterson Sims, and Susan Jefferies. Bigger, Better, More: The Art of Viola Frey. New York: Hudson Hills Press, 2009.

Weiser, Irving and Kathy Halbreich. The Human Touch: Selections from the RBC Wealth Management Art Collection. Minneapolis: RBC Wealth Management, 2009.

Román, Dulce María and Kerry Oliver-Smith. Paradigms and the Unexpected: Modern and Contemporary Art from the Shey Collection. Gainesville: Samuel P. Harn Museum of Art, University of Florida, 2008.

Senie, Harriet F. Re-considering Color: Postmodern Classical II. New York: Onassis Public Benefit Foundation/City College of New York, March 2008.

Ward, Gerald and Matthew Kangas. Shy Boy, She Devil, and Isis: The Art of Conceptual Craft, edited by Julie Muñiz. Boston: MFA Publications, 2007.

Whittaker, Richard. “Viola Frey: Oakland, California, July 2000.” In The Conversations: Interviews with Sixteen Contemporary Artists. Venice: Whale and Star Press, 2007. 66-77.

Nishida, Kiriko and others. Human Form in Clay: The Mind’s Eye. Shiga: Shigaraki Ceramic Cultural Park, 2006.

Zeitlin, Marilyn A. and Peter D. Held. A Ceramic Legacy: The Stéphane Janssen and R. Michael Johns Collection. Tempe: Arizona State University Art Gallery, 2006.

Faberman, Hilarie. Fired at Davis: Figurative Ceramic Sculpture by Robert Arneson, Visiting Professors, and Students at the University of California at Davis, the Paula and Ross Turk Collection. Stanford: Cantor Center for Visual Arts at Stanford University, 2005.

Lauria, Jo and Suzanne Baizerman. California Design: The Legacy of West Coast Craft and Style. San Francisco: Chronicle Books, 2005.

McFadden, David Revere. Dual Vision: The Simona and Jerome Chazen Collection, edited by Nancy Prue. New York: Museum of Arts and Design, 2005.

Reijnders, Anton. “Firing Glazes.” The Ceramic Process: A Manual and Source of Inspiration for Ceramic Art and Design. ‘s-Hertogenbosch, Netherlands: European Ceramics Work Centre and London: Herbert Press, 2005.

Trapp, Kenneth. Viola Frey (Viola Frey: A Lasting Legacy). New York: Nancy Hoffman Gallery, 2005.

Anderson, Mark, Chris Bruce, and Keith Wells. Extending the Artist’s Hand: Contemporary Sculpture from the Walla Walla Foundry. Pullman: Museum of Art, Washington State University, 2004.

Rasmussen, Jack. The True Artist is an Amazing Luminous Fountain: Selected Works from the di Rosa Preserve: Art & Nature. Napa: di Rosa Preserve: Art & Nature, 2004.

The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation. Los Angeles: Frederick R. Weisman Philanthropic Foundation, 2004.

Clark, Garth and Peter Schjeldahl. “Cracks in the Sidewalk: A Chronological Study of the Art and World of Viola Frey.” In Shards: Garth Clark on Ceramic Art, edited by John Pagliaro. New York: Ceramic Arts Foundation/Distributed Art Publications, 2003.

Faberman, Hilarie. Picasso to Thiebaud: Modern and Contemporary Art from the Collections at Stanford University Alumni and Friends. Stanford: Cantor Center for Visual Arts at Stanford University, 2003.

Morgan, Dahlia and Roni Feinstein. American Art Today: Faces and Figures. Miami: The Art Museum at Florida International University, 2003.

Peterson, Susan and Jan Peterson. The Craft and Art of Clay, 4th edition. New York: The Overlook Press, October 2003.

Stroud, Marion Boulton and Charles F. Stuckey. On the Wall. Philadelphia: The Fabric Workshop and Museum; Providence: Museum of Art, Rhode Island School of Design, 2003.

Johnstone, Mark and Leslie Aboud Holzman. Epicenter: San Francisco Bay Area Art Now. San Francisco: Chronicle Books, 2002.

Ramljak, Suzanne and Darrel Sewell. Crafting a Legacy: Contemporary American Crafts in the Philadelphia Museum of Art. Philadelphia: Philadelphia Museum of Art, 2002.

Stroud, Marion Boulton. New Material as New Media: The Fabric Workshop and Museum, edited by Kelly Mitchell. Philadelphia: The Fabric Workshop and Museum, 2002.

Del Vecchio, Mark. Postmodern Ceramics. London: Thames and Hudson, Ltd., 2001.

Hewitt, Mana. Figuration in Clay: A Collection. Columbia: McMaster Gallery, University of South Carolina, 2001.

Landauer, Susan. The Lighter Side of Bay Area Figuration. Kansas City: Kemper Museum of Contemporary Art; San Jose: San Jose Museum of Art, 2000.

Lauria, Jo. Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, edited by Margaret Gray. Los Angeles: Los Angeles County Museum of Art, 2000.

Burgard, Timothy Anglin. The Art of Craft: Contemporary Works from the Saxe Collection. San Francisco: Fine Arts Museums of San Francisco, 1999.

Reisman, Richard. Local Color: The di Rosa Collection of Contemporary California Art. San Francisco: Chronicle Books, 1999.

Speight, Charlotte and John Toki. Hands in Clay: An Introduction to Ceramics. Houston: Mayfield Publishing Company, 1999. 149, 152.

Adlin, Jane. Contemporary Ceramics: Selections from the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1998.

Clark, Garth and Suzanne Foley. A Fire For Ceramics: Contemporary Art from the Daniel Jacobs and Derek Mason Collection. Richmond: Hand Workshop Art Center, 1998.

Jana, Reena and Patterson Sims. Viola Frey (San Francisco: Rena Bransten Gallery, 1998).

Munsterberg, Hugo and Marjorie Munsterberg. World Ceramics: From Prehistoric to Modern Times. New York: Penguin Studio, 1998.

Zhou, Guangzhen “Po.” American Ceramic Artists Today. Beijing: The People’s Fine Arts Publishing House, 1998.

Demetrion, James T. The Hirshhorn Collects: Recent Acquisitions 1992-1996. Washington, DC: Hirshhorn Museum and Sculpture Garden, 1997.

Sweetkind, Irene, ed. Index of the Permanent Collection-The Butler Institute of American Art. Youngstown, OH: The Butler Institute of American Art, 1997.

Barnes, Lucinda, Miyoshi Barosh, William S. Bartman, and Rodney Sappington, eds. Between Artists: Twelve Contemporary American Artists Interview Twelve Contemporary American Artists. Los Angeles: A.R.T. Press, 1996.

Curreri, Dyana. From Plastic Form to Printer’s Plates: 16 Contemporary Sculptor/Printmakers. Kansas City: ExhibitsUSA; Bellingham: Western Washington University, 1996.

Shaw, Reesey and John Welchman. Narcissism: Artists Reflect Themselves. Escondido: California Center for the Arts Museum, 1996.

Heller, Jules, ed. North American Women Artists of the Twentieth Century: A Biographical Dictionary. New York: Garland, 1995.

Kangas, Matthew. Breaking Barriers: Recent American Craft. New York: American Craft Museum, 1995.

Orr-Cahall, Christina. Norton Museum of Art: The American Collection. Palm Beach: Norton Museum of Art, 1995.

Rubinstein, Charlotte Streifer. In Three Dimensions: Women Sculptors of the ‘90s. Staten Island: Newhouse Center for Contemporary Art, 1995.

Viola Frey: Arguments. San Francisco: Rena Bransten Gallery, December 1995.

Bransten, Patricia and James Harris. Viola Frey. San Francisco: Rena Bransten Gallery, 1994.

Kuspit, Donald. Viola Frey: Plates 1968-1994. New York: Nancy Hoffman Gallery, 1994.

Linhares, Philip and Rene di Rosa. Here and Now: Bay Area Masterworks from the di Rosa Collection. Oakland: Oakland Museum, 1994.

Greenberg, Jan and Sandra Jordan. The Sculptor’s Eye. New York: Delacorte Books for Young Readers, 1993.

Herman, Lloyd E. and Matthew Kangas. Tales and Traditions: Storytelling in the 20th Century American Craft. St. Louis: Craft Alliance, 1993.

Mayfield, Signe. From the Fire, three exhibitions in clay: incendiary spirits. Palo Alto: Palo Alto Art Center, 1993.

Steadman, David W. and Davira S. Taragin. Contemporary Crafts and the Saxe Collection. Toledo: Toledo Museum of Art, 1993.

Trapp, Kenneth and Carole Austin. Nine Decades: The Northern California Craft Movement 1907 to Present. San Francisco: San Francisco Craft & Folk Art Museum, 1993.

Chadwick, Whitney. Viola Frey: Fresno Art Museum. San Francisco: Rena Bransten Gallery, May 1992.

Hartman, Bruce. The Figure: Two Bay Area Artists, Christopher Brown and Viola Frey. Overland Park: Johnson County Community College Gallery of Art, 1992.

Manhart, Marcia Y. Objects and Drawings from the Sanford M. and Diane Besser Collection. Little Rock: Arkansas Art Center, 1992.

Schatz, Howard and Laura Nader. Gifted Woman, edited by Beverly J. Ornstein. San Francisco: Pacific Photographic Press, 1992.

Smith, Paul J. and Joan Guitart i Agell. Craft Today USA. New York: American Craft Council/Museum, 1992.

Burgess Fuller, Diana. Contemporary American Women Artists. San Rafael: Cedco, 1991.

Clark, Garth. The New Bronze Age. Pittsburgh: The Society for Contemporary Crafts, 1991.

Levin, Elaine and Rudy H. Turk. Selections from the Collection of Stéphane Janssen and Michael Johns. Tempe: University Art Museum, Arizona State University, 1991.

Tomidy, Paul. De-Persona. Oakland: Oakland Museum of California, 1991.

American Pop Culture Today Vol. III, edited by USSO Co., Ltd. Tokyo: Seibundo Shinkosha Publishing Co., 1990.

Harris, Susan and Steven W. Rosen. Walls: Large-Scale Ceramic Sculpture, Eight Variations. Logan: Nora Eccles Harrison Museum of Art with Publication Design & Production, Utah State University, 1990.

Lynn, Martha Drexler. Clay Today: Contemporary Ceramists and Their Work. Los Angeles: Los Angeles County Museum of Art; San Francisco: San Francisco Chronicle Books, 1990.

Neubert, George. Bay Area Sculptors of the 1960s: Then and Now. San Francisco: Braunstein/Quay Gallery, May 1990.

Viola Frey. San Francisco: Rena Bransten Gallery, April 1990.

Wolfe, Townsend. The Figure: Selections from the Arkansas Arts Center Foundation Collection. Little Rock: Arkansas Art Center, 1990.

Bell, Robert and Matthew Kangas. Perth International Crafts Triennial. Perth: Art Gallery of Western Australia, 1989.

Clark, Garth. The Eccentric Teapot: Four Hundred Years of Invention. New York: Abbeville Press, Inc., 1989.

Gedeson, Lucinda. Selections from the Joyce and Jay Cooper Collection. Tempe: Arizona State University Museum, October 1989.

Johnston, Phillip M. Kansas City Collections: Contemporary Ceramics. Kansas City: Nelson-Atkins Museum of Art, 1989.

Moore, Silvia, ed. Yesterday and Tomorrow: California Women Artists. New York: Midmarch Arts Press, 1989.

Perry, Barbara and William C. Ketchum. American Ceramics: The Collection of the Everson Art Museum. New York: Rizzoli International Publications, 1989.

Smith, Paul J. and Edward Lucie-Smith. Craft Today USA. New York: American Craft Council/Museum, 1989.

Wolfe, Townsend. The Figure. Little Rock: Arkansas Art Center, 1989.

Augaitis, Daina and Helga Pakasaar. Heroics: A Critical View. Banff: Walter Phillips Gallery, The Banff Centre, Alberta, 1988.

FitzGibbons, Ann M. Portraits: Here’s Looking at You. Anchorage: Anchorage Museum of History and Art, 1988.

Halvorsen, Liza E. “Viola Frey.” In Connecting Conversations: Interviews with 28 Bay Area Women Artists, edited by Moira Roth (Oakland: Eucalyptus Press, Mills College, 1988).

Larsen, Susan C. Viola Frey: Monumental Figures 1978-1987. Los Angeles: Asher-Faure; San Francisco: Rena Bransten Gallery, 1988.

Levin, Elaine. The History of American Ceramics: 1607 to the Present. New York: Harry N. Abrams, Inc., 1988.

Matilsky, Barbara C. Classical Myth and Imagery in Contemporary Art. Flushing: Queens Museum, 1988.

Sims, Patterson. The Figure as Subject: The Revival of Figuration Since 1975. New York: Whitney Museum of American Art, 1988.

Clark, Garth. American Ceramics: 1876 to the Present, edited by Libby W. Seaberg. New York: Abbeville Press, Inc., 1987.

Halper, Vicki. Clay Revisions: Plate, Cup, Vase. Seattle: Seattle Art Museum, 1987.

Hough, Katherine Plake and Michael Zakian. California Figurative Sculpture. Palm Springs: Palm Springs Desert Museum, 1987.

Jeanclos, George and Madeleine Deschamps. Quatre américains à la Manufacture de Sèvres. Paris: American Center, 1987.

Kuchta, Ronald and Barbara Perry. American Ceramics Now. Syracuse: Everson Museum of Art, 1987.

Manhart, Marcia and Tom Manhart. The Eloquent Object: The Evolution of American Art in Craft Media Since 1945, edited by Carol Haralson. Seattle: University of Washington Press, 1987.

Morrin, Peter and Alfred Shands. What’s New? American Ceramics since 1980, The Alfred and Mary Shands Collection. Louisville: The JBSpeed Art Museum, 1987.

Ayers, Anne. 2nd Newport Biennial: The Bay Area. Newport Beach: Newport Harbor Art Museum, 1986.

Clark, Garth and Oliver Watson. American Potters Today. London: Victoria and Albert Museum, 1986.

Dormer, Peter. The New Ceramics: Trends + Traditions. New York: Thames and Hudson, Ltd., 1986.

Hays, Johanna and Bob L. Nugent. Sculptors’ Drawings, edited by Elizabeth Partch. Rohnert Park: Sonoma State University; Moscow: University of Idaho, 1986.

Knight, Gregory G. and Diane M. Douglas. Material and Metaphor: Contemporary American Ceramic Sculpture, edited by Constance J. Gordon. Chicago: Chicago Office of Fine Arts, 1986.

Smith, Paul J. and Edward Lucie-Smith. Craft Today: Poetry of the Physical. New York: American Craft Council/Museum, 1986.

Albright, Thomas. Art in the San Francisco Bay Area, 1945-1980: An Illustrated History. Berkeley: University of California Press, 1985.

Corbett, Hoyt. Recent Ceramic Sculpture. Albuquerque: University of New Mexico Art Museum, 1985.

duPont, Diane C. and others. San Francisco Museum of Modern Art: The Painting and Sculpture Collection. New York: Hudson Hills Press, 1985.

Ebeling, Betty Ball and Nancy Shaw Palmer. American Clay Artists: Philadelphia ‘85. Philadelphia: The Clay Studio, 1985.

McTwigen, Michael. In the Eye of the Beholder: A Portrait of Our Time. New Paltz: College Art Gallery, The College at New Paltz, 1985.

Schmidt, James. Surface, Function, Shape: Selections from the Earl Millard Collection. Edwardsville: Southern Illinois University at Edwardsville, 1985.

Bell, Michael S. and Harry X. Ford. Reource/rReservoir, CCAC: 75 Years. San Francisco: San Francisco Museum of Modern Art, 1983.

Butterfield, Jan. Viola Frey: Paintings, Sculpture, Drawings. San Francisco: Quay Gallery, 1983.

Clark, Garth. Ceramic Echoes: Historical References in Contemporary Ceramics. Kansas City: Contemporary Art Society with Nelson-Atkins Museum of Art, 1983.

Speight, Charlotte F. Images In Clay Sculpture: Historical and Contemporary Techniques. New York: Harper & Row, 1983.

Subler, Craig Allen and Elizabeth Kirsch. A Personal View: Selections from the Joan Mannheimer Ceramic Collection. Kansas City: University of Missouri, Kansas City, 1983.

Wechsler, Susan and Judy K. Collischan Van Wagner. The Raw Edge: Ceramics of the ‘80s. Greenvale: C.W. Post Center, Long Island University, 1983.

Foley, Suzanne and Sherri Warner. Pacific Currents/Ceramics 1982. San Jose: San Jose Museum of Art, 1982.

Jones, Mady. Figurative Clay Sculpture: Northern California. San Francisco: Quay Gallery, 1982.

Lang, Ron. Clay Bodies: Autio, DeStaebler, Frey. Baltimore: Maryland Institute, College of Art, 1982.

Nakamura, Kimpei. Art and/or Craft; USA and Japan. Kanazawa City, Japan: Hokuriku Broadcasting Co., Ltd., 1982.

Orr-Cahall, Christina. 100 Years of California Sculpture. Oakland: Oakland Museum of California, 1982.

Dillingham, Rick. The Vessel. Dallas: Delahunty Gallery, 1980.

Clark, Garth. Viola Frey. Sacramento: Creative Arts League of Sacramento, 1981.

Monroe, Michael W. The Animal Image: Contemporary Objects and the Beast. Washington: Smithsonian Institution Press, 1981.

Wechsler, Susan. Low-Fire Ceramics. New York: Watson-Guptil Publications, 1981.

McTwigan, Michael. “Figurative Ceramic Sculpture.” In Transactions of the Ceramics Symposium 1979, edited by Garth Clark. Los Angeles: Institute for Ceramic History, 1980: 56-65.

Amerson, Price. Large Scale Ceramic Sculpture. Davis: Richard L. Nelson Gallery, UC Davis, 1979.

Clark, Garth and Margie Hughto. A Century of Ceramics in the United States: 1878-1978. New York: E.P. Dutton, 1979.

Levin, Elaine. West Coast Clay Spectrum. Los Angeles: Security Pacific Bank, 1979.

Tvrdik, Valerie. The Unpainted Portrait: Contemporary Portraiture in Nontraditional Media. Shaboygan, WI: John Michael Kohler Arts Center, 1979.

Worth, Carl. Spaces. Walnut Creek, CA: Walnut Creek Civic Arts Gallery, 1979.

Clark, Garth, ed. Ceramic Art: Comment and Review 1882-1977. New York: E.P. Dutton, 1978.

Donhauser, Paul. The History of American Ceramics: The Studio Potter. Dubuque, IA: Kendall/Hunt Publishing Company, 1978.

Clark, Garth and Dextra Frankel. Overglaze Imagery: Cone 019-016. Fullerton: CSU Fullerton, 1977.

Patterson, David. A Teapot Show. El Camino, CA: El Camino College Art Gallery, 1977.

Szymanski, Jerry D. and Erik Gronborg. Viewpoint: Ceramics 1977. El Cajon, CA: Grossmont College, 1977.

Smith, Paul J. and Mimi Pichey. Baroque ‘74. New York: American Crafts Council, 1974.

California Crafts 1973 Invitational. Sacramento: Creative Arts League of Sacramento, 1973.

Coke, Van Deren. Invitational Craft Exhibition. Albuquerque: University Art Museum, University of New Mexico, c. 1973. 

Moore, Eudorah M. California Design 11. Pasadena: Pasadena Art Museum, 1971.

Sullivan, Max W. and Ruth S. Wilkins. 25th Ceramic National Exhibition. Syracuse: Everson Museum of Art, November 1968.

One Score: 20th Anniversary Exhibition. San Francisco: Association of San Francisco Potters with M.H. de Young Museum, 1965.

Smith, Paul J. Collector: Object / Environment. New York: American Craft Council, 1965.

Kent, Frank. Crocker Art Gallery Catalogue of Collection. Sacramento: Crocker Art Gallery, 1964.

Smith, Paul J. and Sam Richardson. Emergence: Student – Craftsmen. New York: Museum of Contemporary Crafts with American Craftsmen’s Council, 1963.

Stone Forms: Association of San Francisco Potters 12th Exhibition. San Francisco: Association of San Francisco Potters, 1963.

Campbell, David R. 22nd Ceramic National Exhibition. Syracuse: Everson Museum of Art, 1962.

Campbell, David R. Young Americans 1962. New York: Museum of Contemporary Crafts and American Craftsmen’s Council, 1962.

Campbell, David R. Contemporary Craftsmen of the Far West. New York: Museum of Contemporary Crafts, 1961.